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PACO DE LUCÍA PROJECT Launches 2019 Tour in Washington, DC on Oct 12;

Paco’s Virtuosic Flamenco Ensemble Returns to North America Celebrating their Debut CD;

Featuring Paco’s Nephew ANTONIO SÁNCHEZ (guitar), ANTONIO SERRANO (harmonica), ALAIN PÉREZ (bass), ISRAEL SUÁREZ “PIRAÑA” (percussion), DAVID DE JACOBA (vocals);

With Antonio Fernández Montoya “FARRUCO” (flamenco dance and guitar)

Tour produced by CASA LIMÓN in collaboration with IMG ARTISTS

NPR 2017 feature:

The legacies of great artists go well beyond particular masterpieces. In the case of guitarist and composer Paco de Lucía, his playing, his composing, the sound of his ensembles, his entire approach, marked a “before” and “after” in flamenco.

No group has taken up the challenges of that legacy with greater authority than The Paco de Lucía Project. In the 1980s, the guitarist, who had long established his place in flamenco history, put together a sextet that incorporated jazz and global music elements and exploded flamenco conventions. About 20 years later, he assembled a second, younger group. Brimming with energy and technical brilliance, this second sextet both pushed and freed the master, suggesting tantalizing possibilities for the future.

But Paco de Lucía died unexpectedly of a heart attack on February 2014 at age 66.

That last ensemble, reconvened as The Paco de Lucía Project, is now on its second tour of North America, celebrating the release of The Paco de Lucía Project (Casalimón Records), a live CD documenting the sound of their inaugural tour. As good as that snapshot is, the sextet has continued to evolve while taking on the challenges of de Lucia´s legacy.

“That first experience of touring America, taking this music and Paco’s name everywhere, thinking of him every day -- it was magnificent,” says guitarist Antonio Sánchez, the son of Paco's late older brother. “As we toured with this group, each concert was better than the one before. Luckily, we recorded the one in Miami and it’s now a tribute to Paco.”

The sextet features Sánchez on guitar; Alain Pérez on bass; Israel Suárez "Piraña," percussion; Antonio Serrano, harmonica; David de Jacoba, vocals, and flamenco dancer Antonio Fernández "Farruco" (a/k/a Farru), who will also debut as a guitarist on this tour. Except for de Jacoba, who joined later, this is the band captured on de Lucía’s historic double CD Live in Spain 2010.

Grammy-winning producer and composer Javier Limón, a collaborator and personal friend of de Lucía, masterminded the reunion of the group and produced the CD as a celebration of the legendary guitarist.

“Paco created a new sound with his first group. But then, with this band, he arrived at a different sonority,” says Limón. “And I kept thinking: why are we throwing away a sound that took so many years and so much work to create?”

“By the time he assembled the second sextet, Paco was at his peak, he was the wise old man, the master, and the players were all so young. It was a different dynamic,” reflects Limón. “Alain Pérez is arguably the best Latin bass player of his generation. Antonio Serrano is the best jazz musician in Spain; and you have Piraña, whom Paco loved, the best percussionist in flamenco’s history. And then you have Antonio, and David, and Farruco … Each one of them is a soloist, a leader. This band is the best flamenco group in the world.”

Meanwhile, guitarist Antonio Sánchez has embraced the challenges of his uncle´s legacy with unfailing grace.

"I take carrying on Paco's music with great humility. It's a real challenge," said Sánchez, who joined Paco’s group as a second guitar in 2010. "The name is a burden only if you don´t study, if you don´t apply yourself and work. Working with this group is a huge responsibility, very demanding, but it also brings out a lot of love on my part — and no fear. On the contrary, I was eager to do this. It has been great to remember him every day in his music, but also great to see how this group has evolved, matured.”

While accompanying de Lucía, the members of the group showcased their talents mostly in the space for jazz-style soloing that the guitarist had opened in his music. As it turns out, besides the obvious challenges, the sextet’s reunion also presented opportunities.

“Every day we seem to be doing something different, and it’s great fun, very enjoyable, and it brings us together,” said Sánchez. “And we also started to realize that we can pay tribute to Paco with our own music. There will always be classics by Paco in the program, songs like “Zyryab” or a rumba like “El Cafetal,” but now also some of our compositions, things we used to do with him in rehearsals that were never recorded. It’s a chance to capture and bring back some of those little things we had with Paco, and it’s beautiful.”